Publications Recent and forthcoming books and publications
Books and Special Issues
The craft of gesture is part of the practical equipment with which we inhabit and understand the world together. Drawing on micro-ethnographic research in diverse interaction settings, this book explores the communicative ecologies in which hand-gestures appear: illuminating the world around us, depicting it, making sense of it, and symbolizing the interaction process itself. Gesture is analyzed as embodied communicative action grounded in the hands' practical and cognitive engagments with material worlds. The book responds to the quest for the role of the human body in cognition and interaction with an analytic perspective informed by phenomenology, conversation analysis, context analysis, praxeology, and cognitive science. Many of the cross-linguistic video-data of everyday interaction investigated in its chapters are available on-line. For more information: http://www.benjamins.com/cgi-bin/t_bookview.cgi?bookid=GS%202
How do we understand what others are trying to say? The answer cannot be found in language alone. Words are linked to hand gestures and other visible phenomena to create unified 'composite utterances'. In this book N. J. Enfield presents original case studies of speech-with-gesture based on fieldwork carried out with speakers of Lao (a language of Southeast Asia). He examines pointing gestures (including lip and finger-pointing) and illustrative gestures (examples include depicting fish traps and tracing kinship relations). His detailed analyses focus on the 'semiotic unification' problem, that is, how to make a single interpretation when multiple signs occur together. Enfield's arguments have implications for all branches of science with a stake in meaning and its place in human social life. The book will appeal to all researchers interested in the study of meaning, including linguists, anthropologists, and psychologists. For more information: http://www.cup.es/catalogue/catalogue.asp?isbn=9780521880640
This special issue of Discourse Processes brings together work that sheds light on ways in which the very fabrics of action, interaction and communication are imbued with forward-looking anticipatory structures that facilitate on-going, fluid interactions in dynamic social environments. The contributions to the issue examine (a) neurological foundations of innate human anticipatory interaction planning (E.Goody); (b) scaffolding and other facilitative, forward-looking aspects of human-made interactional units, utterances, and other practice formats; and (c) how these are coupled, i.e. how biological adaptations and cultural adaptations work together in the production of forward-looking, intelligible embodied human action, of actions with which others can entrain on the fly and moment by moment. The contributors are neuroscientists, cognitive psychologists, interactional linguists, and conversation analysts working in a variety of disciplines. For more information: http://www.informaworld.com/smpp/title~content=g909578547~db=all
This volume is the first to offer an overview on metaphor and gesture, a new multi-disciplinary area of research. Scholars of metaphor have been paying increasing attention to spontaneous gestures with speech; meanwhile, researchers in gesture studies have been focussing on the abstract ideas which receive physical representation through metaphors when speakers gesture. This book presents a snapshot of the state of the art in these converging fields, offering research papers as well as commentaries from multiple perspectives. In addition to conceptual metaphor theory it includes different theoretical approaches to semiotics, and the methods used range from controlled experimentation, to cognitive ethnography, to lexical semantic analysis. The use of metaphor in gesture is shown to reflect idiosyncracies of thought in the moment of speaking as well as structural, cultural, and interactional patterns. The series of commentaries discusses the potential importance of studying metaphor and gesture from the perspectives of such fields as anthropology, cognitive linguistics, conversation analysis, psychology, and semiotics.
This book discusses the enchantment and power of gesture in literature and art, using a wide selection of cultural and scientific materials, from the Bible, Quintillian and Buddhism to David McNeil's cognitive psychology, Eric Gans' philosophical anthropology and Richard Sennett's sociology. The author demonstrates that represented gestures, and even those that are not represented, originate a unique cognitive-physical interaction between the reader or viewer and the composition. The discussion focuses mainly on an analysis of gestural poetics in a number of works of modern Hebrew writers, from the beginning of the twentieth to the beginning of the twenty-first century, from Uri Nissan Gnessin and Jacob Steinberg to Meir Shalev and Etgar Keret. In the course of the discussion gesture is shown to be a micro-myth that unites order and chaos, a mechanism that establishes the power of symbolism and visibility in the modern culture of the "fall of public man". The study demonstrates the variety of ways in which a myth of impossible and inevitable touch-non-touch gestures is created.
This book demonstrates the vital connection between language and gesture, and why it is critical for research on second language acquisition to take into account the full spectrum of communicative phenomena. The study of gesture in applied linguistics is just beginning to come of age. This edited volume, the first of its kind, covers a broad range of concerns that are central to the field of SLA. The chapters focus on a variety of second-language contexts, including adult classroom and naturalistic learners, and represent learners from a variety of language and cultural backgrounds. Gesture: Second Language Acquisition and Classroom Research is organized in five sections: Part I, Gesture and its L2 Applications, provides both an overview of gesture studies and a review of the L2 gesture research. For authors and Table of Contents see:
Communication is multimodal. In everyday interaction we do not communicate only by words, but by our whole body. We talk by gestures, facial expression, gaze, body movements, posture, and these communicative modalities interact with each other in subtle and complex ways. But can we disentangle the different sounds in a symphony, the different pieces in a mosaic? This book claims that the communication scholar can write down the musical score of the communicative symphony by attributing a specific meaning to each single signal - to each gesture, gaze, facial expression - and by finding out lexicons of all communicative modalities. If Linguists have been writing dictionaries of verbal languages for millennia, why not start compiling a new type of dictionaries, and discover the lexicons and the alphabets of gestures, gaze, or touch? Part I of this book (Mind) presents a cognitive model of communication in terms of the notions of goal and belief; Parts II (Hands) and III (Face) analyse gestural and facial communication in detail, by distinguishing universal and cultural aspects in gesture and gaze, showing the differences between gestures that are codified in our mind and gestures that we create on the spot, and teaching how to make a dictionary of touch or how to find the meanings conveyed by the eyebrows. Part IV (Body) presents an annotation scheme to transcribe and analyse signals in all modalities and to capture the meaning of their interaction, that has proved useful for empirical research on multimodality and for its simulation in Embodied Conversational Agents; to illustrate the potentialities of this tool, multimodal discourses are analysed, taken from TV talk shows, political discourse, classroom interaction, speech-therapy sessions, judicial debates, university examinations and comic movies. The subtleties of multimodality are dissected, showing how the whole body can be a tool for indirect and contradictory messages, deception, joke, irony and other sophisticated uses of communication. Prof. Dr. Isabella Poggi teaches General Psychology and Psychology of Communication at Roma Tre University. She works to the construction of a cognitive model of mind, social interaction and communication, through conceptual analysis, observative research and simulation in Embodied Agents. After her first research about the teaching of Italian as a first language, she has published books and papers about emotions (guilt, shame, humiliation, pity, enthusiasm), deception, persuasion, verbal and multimodal communication in humans and machines. For Table of Contents see:
For authors and Table of Contents see:
TABLE OF CONTENTS
Gallagher pursues two basic sets of questions. The first set consists of questions about the phenomenal aspects of the structure of experience, and specifically the relatively regular and constant features that we find in the content of our experience. If throughout conscious experience there is a constant reference to one's own body, even if this is a recessive or marginal awareness, then that reference constitutes a structural feature of the phenomenal field of consciousness, part of a framework that is likely to determine or influence all other aspects of experience. The second set of questions concerns aspects of the structure of experience that are more hidden, those that may be more difficult to get at because they happen before we know it. They do not normally enter into the content of experience in an explicit way, and are often inaccessible to reflective consciousness. To what extent, and in what ways, are consciousness and cognitive processes, which include experiences related to perception, memory, imagination, belief, judgement, and so forth, shaped or structured by the fact that they are embodied in this way? See also: http://pegasus.cc.ucf.edu/~gallaghr/gallpubs.html
In this book, Barbara King discusses gesture of chimpanzees, bonobos, and gorillas, and the relationship of ape gesture to human language. Mother and infant negotiate over food; two high-status males jockey for power; female kin band together to get their way. It happens among humans and it happens among our closest living relatives in the animal kingdom, the great apes of Africa. In this eye-opening book, we see precisely how such events unfold in chimpanzees, bonobos, and gorillas: through a spontaneous, mutually choreographed dance of actions, gestures, and vocalizations in which social partners create meaning and come to understand each other. For details:
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An airline pilot and researcher in 'aviation human factors' once described the goal of all airline pilots as "to get people from A to B without killing them": this book explores the place of talk-in-interaction in pilots' achievement of this laudable goal. The book uses video data of pilots at work on regular scheduled passenger flights to study routine talk-in-interaction in the airline cockpit. It explores how, through processes of talk-in-interaction, pilots develop and make available to one another their situated and moment-to-moment understandings as they work together as a flight crew to perform necessary activities and tasks, and attend and respond to events and emerging circumstances. I consider how pilots establish what is going on around them, who knows what, who is doing what, and exactly where they are up to and what they are to do next. In this way the book throws light on what it is to be, accountably and recognisably, an airline pilot, and shows how every airline flight is not just a mechanical and technological triumph, and some would say miracle, but is also the outcome of human performance and interaction. The book joins a growing interest in interaction in workplace or institutional settings, and in particular joins recent studies which look in detail at interaction in sociotechnical settings where groups or teams coordinate their talk and non-talk activities to perform tasks and complete goals. It adds to findings of these studies on human cognition as situated, embodied, and socially shared, and in particular develops previous research on cognition in the airline cockpit. Detailed study of routine cockpit talk allows us to see just how the modern airline cockpit is both the epitome of the high technology workplace, with its bewildering array of computers, displays, buttons, switches, dials, levers and lights, and also very much a setting for human interaction. Contents For details:
Papers and Reviews Review on Linguist List of Gestural Communication in Nonhuman and Human Primates edited by Katja Liebal, Cornelia Mueller and Simone Pika (http://www.linguistlist.org/issues/19/19-2202.html). The Special Issue of the Journal First Language: Gesture and Communicative Development edited by Michele Guidetti and Elena Nicoladis is published (http://fla.sagepub.com/content/vol28/issue2/). The Semiotic Bulletin 9 (May 2007) published an article by Cornelia Müller on the life and works of Adam Kendon titled "Asemiotic profile: Adam Kendon" (link). Scientific American Mind (October 2006) published an article on gesture by Ipke Wachsmuth titled "Gestures Offer Insight: Hand and arm movements do much more than accent words; they provide context for understanding" (link). The International Review of Applied Linguistics in Language Teaching (Volume: 44 | Issue: 2) has published a special issue on gesture and second language acquisition (link) Paper by Simone Pika and John Mitani "Referential gestural communication in wild chimpanzees (Pan troglodytes). Current Biology 2006 16: R191-R192. (link) Paper by Marilyn Panayi "Spatial Cognition in Action - SCA Model: Children's Gestural Imagery in Action" (download abstract doc) in Process in Neural Processing Vol 16: Modelling Language Cognition and Action. Proceedings of the Ninth Neural Computation and Psychology Workshop, University of Plymouth, UK 8 - 10 September 2004 (link) Review by Hugues de Chanay (U. Lyon 2), in the electronic review Marges linguistiques, no. 9 (link, download review pdf) of L'expression gestuelle de la pensée d'un homme politique, Calbris, G. (2003). References Beattie, G. (2003). Visible Thought: The New Psychology of Body Language. London: Routledge. Bouvet, D. & Morelle, M. (2003). Le ballet et la musique de la parole. Paris: Ophrys, Collection Bibliothèque Faits de langues. http://www.ophrys.fr/sources/catalogue Calbris, G. (2003). L'expression gestuelle de la pensée d'un homme politique. Paris: CNRS Éditions, Collection CNRS Communication. http://www.cnrseditions.fr Corbeill, A. (2004). Nature Embodied: Gesture in Ancient Rome. Princeton, NJ: Princeton University Press. http://www.pupress.princeton.edu/titles/7681.html Ekman, P. (2003). Emotions Revealed. Henry Bolt & Company. www.bn.com Gallagher, S. 2005. How the Body Shapes the Mind. Oxford: Oxford University Press. http://www.oup.co.uk/isbn/0-19-927194-1 Goldin-Meadow, S. (2003). Hearing Gesture: How Our Hands Help us Think. Harvard University Press. http://goldin-meadow-lab.uchicago.edu/hear_gest.html Kendon, A. (2004). Gesture: Visible Action as Utterance. Cambridge: Cambridge University Press. http://www.cambridge.org/uk/catalogue/catalogue.asp?isbn=0521835259 McNeill, D. (2005). Gesture and Thought. Chicago. Chicago University Press. http://www.press.uchicago.edu/cgi-bin/hfs.cgi/00/154862.ctl Müller, C. & Posner, R. (Eds.). (2003). The semantics and pragmatics of everyday gestures: The Berlin Conference. Berlin: Weidler Buchverlag. Title.jpg Rector, M., Poggi, I., & Trigo, N. (Eds.). (2003). Gestures : Their meaning and use. Oporto: Fernando Pessoa UP. Smart, M. A. (2004). Mimomania: Music and Gesture in Nineteenth-Century Opera. Los Angeles: University of California Press. http://www.ucpress.edu/books/pages/9574.html
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